The Seven Deadly Sins

Saturday, March 22, 2025 | 7:30pm

Sunday, March 23, 2025 | 3:00pm

Concert Duration: Approximately 100 minutes

The Granada Theatre

Learn More About this Program

Attend “Conversations with Kabaretti”–
Saturday Pre-concert – 6:30 – 7:00 PM
Sunday Pre-concert chat –2:00 – 2:30 PM

Digital Program: Coming Soon
Program Notes: Coming Soon

The sensational and sultry Storm Large will get the pulse-racing with her unique take on Kurt Weill’s seductive The Seven Deadly Sins. “A punk goddess,” declares Playboy. “An intoxicating cocktail of power and vulnerability,” raves the Times of London. “With the bawdiness and charisma of a young Bette Midler, she is destined to be one of the most electrifying performers of her time,” says Portland’s PDX Magazine, “You’re going to be wowed, maybe choking back tears. Nobody should be able to sing like that…” This concert draws you into the smokey, sensual world of cabaret, with works by Jacques Ibert, William Grant Still, and Jessie Montgomery.

The Artists

Nir Kabaretti, conductor

Storm Large, vocalist

The Hudson Shad Quartet, vocalists

Repertoire

Ibert | Divertissement

Still | Seven Little Pieces from The Black Belt

Jessie Montgomery | Strum

Weill / Brecht | The Seven Deadly Sins

Though the six-man ensemble Hudson Shad (five singers and a pianist) debuted officially in 1992, their nucleus formed in 1977 when three of them made their Carnegie Hall debuts as soloists in Penderecki’s “Magnificat”. In 1989, the Arts at St.Ann’s in Brooklyn asked bass Wilbur Pauley to contract a quartet to perform as The Family in Kurt Weill’s “Seven Deadly Sins” with Marianne Faithfull. The response was favorable.

Over more than three decades, the Hudson Shad quartet has racked up more performances as The Family in “Seven Deadly Sins” than any other group in history. They have sung in almost eighty different locations, from Arezzo to Zagreb, numbering well over one hundred performances worldwide. They participated in a staging of the work, in a double bill with Weill’s “Der Lindbergflug”, at the Macerata Festival in Italy. They have thrice recorded the work: with Kurt Masur and the NYPhilharmonic; with Ms.Faithfull and the RSO-Wien conducted by Dennis Russell Davies; and with Storm Large and the Oregon Symphony under Carlos Kalmar. In 2008, Hudson Shad was honored to participate in the Carnegie Hall premier of the work, with Ute Lemper and the Toronto Symphony.

Other orchestra appearances by Hudson Shad have featured more Weill: “Kleine Mahagonny” with the St.Paul Chamber Orchestra; “Aufstieg und Fall der Stadt Mahagonny” at the Salzburg Festival. The Schubert bicentennial in 1997 found Hudson Shad returning to the NYPhilharmonic for orchestral works with men’s voices, and they arranged Schubert songs using the Max Reger orchestrations with the Bruckner Orchestra in Linz. Hudson Shad debuted as Wild Things in Oliver Knussen’s “Where The Wild Things Are”, conducted by the composer. They have developed their own English translation of Stravinsky’s “Renard” and have performed it at the Miyazaki Festival and the Saratoga Performing Arts Center under Charles Dutoit. They sang in Philip Glass’ “Fall of the House of Usher” (double-billed with Sins) at the Calgary Philharmonic Orchestra, and they appeared with the Cincinnati Pops Orchestra as the barbershop quartet in “Music Man”.

In 1999, Hudson Shad starred in the musical “Band In Berlin” at the Helen Hayes Theater on Broadway, in a tribute to the legendary German singing group, The Comedian Harmonists.

Recent performances include the Sins with Storm Large at the Princeton Festival in 2022 and with the Oregon Symphony in 2019; Sins with the Shanghai Symphony and Maestro Dutoit in July 2019; Sins on a tour of Germany with the Kammerakademie Potsdam and Ms.Lemper in October 2019. Hudson Shad debuted at the Tanglewood Festival in 2019 in a Charles Ives program with the pianist Jeremy Denk.

The members of the Hudson Shad quartet are: Mark Bleeke, tenor; Eric Edlund, baritone; Peter Becker, bass/baritone; Wilbur Pauley, bass.

Storm Large: musician, actor, playwright, author, awesome. She shot to national prominence in 2006 as a finalist on the CBS show Rock Star: Supernova, where despite having been eliminated in the week before the finale, Storm built a fan base that follows her around the world to this day. She was seen on the 2021 season of America’s Got Talent.

Storm spent the 90s singing in clubs throughout San Francisco. Tired of the club scene, she moved to Portland to pursue a new career as a chef, but a last-minute cancellation in 2002 at the Portland club “Dante’s” turned into a standing Wednesday night engagement for Storm and her new band, The Balls. It wasn’t long before Storm had a cult-like following in Portland, and a renewed singing career that was soon to be launched onto the international stage.

In the 18-19 season, Storm performed her one-woman autobiographical musical memoir Crazy Enough at La Jolla Music Society and Portland Center Stage, celebrating the show’s tenth anniversary. Recent engagements include debuts with the Philly Pops, members of the Chicago Symphony Orchestra, and the Seattle Symphony, as well as return engagements with the Houston, Detroit, Toronto, and BBC Symphonies; the New York Pops; and the Louisville Orchestra, with whom she recorded the 2017 album All In. Storm continues to tour concert halls across the country with her band Le Bonheur and as a special guest on Michael Feinstein’s Shaken & Stirred tour. Alongside Liza Minnelli and Joel Grey, Storm joined Michael Feinstein as a special guest with the Pasadena Pops.

Storm made her debut as a guest vocalist with the band Pink Martini in April 2011, singing four sold-out concerts with the National Symphony Orchestra at the Kennedy Center in Washington, DC. She continues to perform with the band, touring nationally and internationally, and she is featured on their album Get Happy. Storm has also sung with Grammy winner k.d. lang, pianist Kirill Gerstein, punk rocker John Doe, singer/songwriter Rufus Wainwright, and Rock and Roll Hall of Famer George Clinton.

She debuted with the Oregon Symphony in 2010 and has returned for sold-out performances each year thereafter. Storm made her Carnegie Hall debut in 2013, singing Weill’s Seven Deadly Sins with the Detroit Symphony as part of the Spring for Music Festival. The NY Times called her “sensational,” and the classical music world instantly had a new star.

In 2007, Storm starred in Portland Center Stage’s production of Cabaret with Wade McCollum. The show was a smash hit, earning Large glowing reviews. Her next endeavor, the musical memoir Crazy Enough, played to packed houses in 2009 during its unprecedented 21-week sold-out run in Portland. Storm went on to perform a cabaret version of the show to critical acclaim at the Edinburgh Fringe Festival, Adelaide Festival in Australia, and Joe’s Pub in New York. Her memoir, Crazy Enough, was released by Simon and Schuster in 2012, named Oprah’s Book of the Week, and awarded the 2013 Oregon Book Award for Creative Nonfiction.

Storm is featured in Rid of Me, a film by Portlander James Westby, starring Katie O’Grady and Theresa Russell. In 2010, she starred at the Mark Taper Forum with Katey Sagal and Michael McKean in Jerry Zak’s production of Harps and Angels, a musical featuring the work of Randy Newman.

In the fall of 2014, Storm & Le Bonheur released a record designed to capture their sublime and subversive interpretations of the American Songbook. Entitled simply Le Bonheur and released on Pink Martini’s Heinz Records, the recording is a collection of tortured and titillating love songs: beautiful, familiar, yet twisted … much like the lady herself.

The Seven Deadly Sins